OPERA REVIEWS
Mimi in Puccini's La femme bohème "Kelley Hollis’s Mimi was well-acted and beautifully sung, particularly when she bloomed into the singing in Act 3. The top of the voice was simply round and stunning in its crescendo as the show went on. This Mimi started out pretty ill, and Hollis perfected a terrifying-sounding wheeze." (The Theater Times) "Kelley Hollis, was vocally supple and alluring." (The Boston Musical Intelligencer) |
Donna Anna in Mozart's Don Giovanni "Kelley Hollis made the biggest impression of the night with a glorious tone that was always glowing" (Hub Review) "Donna Anna [was] played with some skill by Kelley Hollis" (Arts Impulse) "Kelley Hollis was especially touching, employing a more conversational tone to sound her character’s injured reflections" (The Boston Musical Intelligencer) |
Florencia in Daniel Catan's Florencia en el Amazonas "Kelley Hollis (Florencia) has a big beautiful voice and did a brilliant job with the part both dramatically and vocally, looking every bit the polished performer." (The Boston Musical Intelligencer) |